Experienced webcomics editor, currently seeking full-time work and working on strange and interesting new things...
I don't even like personal blogging very much.
(Happy 571st post, readers!)
Ninety-nine times out of a hundred, it's an addictive, reactive, egocentric enterprise. The few blogs I like are the ones that
have some
sort of
focus other than "my blog about me." Unless you're as adept at turning your personal life into art as
James Kochalka or
Harvey Pekar, you are probably wasting the global village's time. I sure feel like
I have with this blog, often enough.
(This distaste didn't stop me from shamelessly plundering the personal blogs of cartoonists as research material for the book, but a boring body of work can still contain a few gems and be good research fodder. I don't read obituaries for fun, either.)
So... why "T Campbell's Blog," then? Do I hate the global village that much? For a while, I was as confused as you probably are.
There was a period when I was desperate to beat out the other [FirstName] T. Campbells on Google searches, but that battle's long since won. That wasn't the reason I kept things going.
I think the blog had more to do with seeking a new identity. For five years I'd been "the writer of
Fans," and after that... well, I wasn't sure who I was going to be after that. Y'know, some of us wonder why cartoonists stick with one feature year after year, decade after decade... and I think a lot of it has to do not with job security, but with
identity security. Take away
Garfield, and who
is Jim Davis? (To himself, I mean. To you, he's obviously a hack/seminal influence.)
I didn't know what my big, defining project was going to be-- I had so many ideas, colliding into each other as they came down the stairs like that scene in
Clue. I'm glad I tried them all, but they didn't leave me any more enlightened. Was I an editor? A scriptwriter? A search engine designer? A historian? A podcaster? A... (ick)
blogger? I didn't really know, and I missed knowing who I was, so I used the blog to, as much as anything else, keep my identities straight. I also wasn't sure how much it should be self-promotion ("I RAWWWWWK") and how much disclosure ("I SUUUUUUCK").
Well, the last couple of months-- and specifically June 30-- have made things much clearer to me. Answer: NEITHER. I no longer feel the need to hype myself, and I no longer feel the need to tell everyone everything I'm thinking and feeling, all the time-- the need which fuels the existence of the blogosphere and the MySpacesphere and the Facebooksphere. CURRENT MOOD: WOULDN'T YOU LIKE TO KNOW.
This blog now exists for two reasons: one, to showcase work of mine that doesn't belong anywhere else (like this "Reflections" series), and two, to point people to work of mine that does belong other places.
No more self-promotion. No more egosearching. No more link love for its own sake-- no offense to the many, many deserving cartoonists out there, but if I linked to one of you I'd have to link to all of you, and you're too many and my fingers are too tired. To my non-cartoonist friends, see previous sentence. No more public reactions to the latest webcomics controversy, just because I have an opinion or feel it's important to note. And there was never a LOT about my personal life in here, but no more of that, either.
There may be some more essays, but if so, they won't be reactive so much as... reflective.
I'm getting out of "the community," at least for a good long while. And I'm aiming to get further into the writing game...
much further in.
But as I shift gears, I find I have a new perspective on that sociological phenom known as "Internet drama," and that silly optimistic belief that someone else might find my thoughts useful, the belief which keeps making me DO these darn things. PART THREE'S NEXT TRICK: Discussing drama without starting any! CAN IT BE DONE???